Kahan Shuru Kahan Khatam – A Comedy of Errors That Misses the Mark
Director - Saurabh Dasgupta
Writer - Laxman Utekar, Rishi Virmani,
Cast - Dhvani Bhanushali, Aashim Gulati, Rajesh Sharma, Rakesh Bedi, Sonali Sachdeva, Supriya Pilgaonkar, Vikram Kochhar, Himansh Kohli
Duration – 104 Minutes
Rating – 2.5
Directed by Saurabh Dasgupta, Kahan Shuru Kahan Khatam hits theaters with the promise of humor and heart, but instead delivers a rather muddled experience that leaves viewers scratching their heads about its title—and its intentions.
At its core, the film attempts to blend elements from Wedding Crashers and Runaway Bride, centering on a bride-to-be who is determined to escape her impending nuptials. However, the execution is where the film falters. While the premise has potential, the journey quickly devolves into a chaotic series of events, peppered with cringe-worthy moments that feel more outdated than innovative.
The ensemble cast features Dhvani Bhanushali, Aashim Gulati, and seasoned veterans like Rakesh Bedi and Rajesh Sharma. While Bedi and Sharma do their best to infuse life into the narrative, their performances often feel like they’re trying to salvage a sinking ship. Gulati’s portrayal is bafflingly over-the-top, veering into caricature rather than character, while the inclusion of a stereotypical queer couple appears more like a misguided attempt at progressiveness than authentic representation.
What could have been a delightful comedy of errors becomes a comedy of terrors, with characters bumbling through ludicrous situations that lack the cleverness and charm of true comedy. The film attempts to tackle themes of empowerment and choice, but these serious undertones feel shoehorned in, especially during the pretentious climax filled with unconvincing monologues. It’s as if the filmmakers couldn’t decide whether they wanted to make a lighthearted comedy or a message-driven drama, and ended up compromising both.
Dhvani Bhanushali’s performance lacks the emotional depth needed to portray the anxiety of a runaway bride. Instead, she feels largely one-note, unable to convey the fear or excitement of being pursued. Supriya Pilgaonkar tries to breathe life into her role, but even her efforts can’t mask the film’s narrative shortcomings.
Dasgupta’s direction, while visually appealing at times, struggles to find coherence in its storytelling. The pacing is uneven, with certain scenes dragging while others feel rushed, leaving audiences bewildered.
Kahan Shuru Kahan Khatam ultimately feels like a missed opportunity. With a strong cast and a premise ripe for comedy, it falters under the weight of its execution. While there are moments of laughter, they are overshadowed by cringe and confusion, making it hard to fully enjoy the ride. If you’re looking for a light-hearted romp, you might want to skip this one and save your seat for a film that knows where it’s going.