Kesavan Venugopal (22 May 1948 – 11 October 2021), better known by his stage name Nedumudi Venu, was an Indian actor and screenwriter from Kerala, who predominantly worked in Malayalam cinema. He acted in more than 500 films, primarily in Malayalam and also in Tamil in a career spanning nearly five decades. He wrote screenplays and directed one film. Nedumudi Venu won three National Film Awards and six Kerala State Film Awards for his various performances.

Early life

Venu was born as Venugopal to P. K. Kesava Pillai, a school master and P. Kunjikkuttiyamma. He had his primary education from NSS Higher Secondary School, Nedumudi, and St. Mary's Higher Secondary School, Champakulam.Venu was married to T. R. Susheela. The couple had two sons: Unni and Kannan.

Career

Main article: Nedumudi Venu filmography
Venu started his career in theater and went on to act in films. He was a member of Kavalam Narayana Panicker's dramas. He debuted in the film Thambu (1978), by director G Aravindan. His acting skills were showcased in the Bharathan film Aaravam. Padmarajan's Oridathoru Phayalwan and Kallan Pavithran set a milestone for him. It marked his start in Karanavar (head of the family) roles, which included most of his memorable performances.
Venu wrote scripts for movies. He wrote the stories for the films Kattathe Kilikkoodu, Theertham, Sruthi, Ambada Njaane!, Oru Katha Oru Nunnakkatha, Savidham and Angane Oru Avadhikkalathu. He also tried his hand in direction with Pooram. He acted in a few Tamil films with director Shankar, such as Kamal Hasan's Indian and Vikram's Anniyan.
Venu acted in some television serials. He acted in NFDC film Parinamam (The Change), directed by P. Venu that won the best screenplay award at the Ashdod International Film Festival held in Israel. He won the Best Actor award for his role in Saira at the Zimbabwe International Film Festival which concluded in September 2007; Saira was the only film from India to be included in the festival. The committee mentioned that he acted compellingly and convincingly in his portrayal of a man caught between secularism and fundamentalism.